SHED

Perfect practice makes perfect.

Jim v0.1 · event grid

Exercise

Root position

Tempo

60 BPM

Count-in beats

Repeat phrase

Plucks registered0 / 16

Count-in4 beats

PhraseRepeat 1 of 1

First, connect your microphone.

Your music

Standard notationC major · no sharps or flats · 4/4

EADG bass TABGenerated shape

Take result Pitch — · Timing — · Length — · Release (experimental) — · Attack consistency — Timing bias and spread will appear here. Pitch detail will appear here.

About this exercise

Play one quarter note per scale degree, ascending and descending. Keep the shape relaxed and make every string crossing land without a timing gap.

Get ready to practise

Connect once, check your sound if you like, then return to your music.

Connect your microphone

Choose where SHED should listen.

Audio input No input connected

Not connected yet

Check your sound optional

Pluck any bass string for reassurance.

Pluck a string to check your sound.

Tune your bass optional

Select a string, pluck it and adjust until it reads in tune.

String

Select Start tuner to check your tuning.

Basic tuner — low notes may be unreliable through a microphone.

E string: Select A, play fret 5. 5-string B: Select A, play fret 10.

Input details

Input levelsilent

Timing remains provisional until interface latency is calibrated. Release remains experimental.

Connect your microphone to begin.

Practice history by day

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Practice trends

Exercise Measurement

Compare two takes

ⓘ

Change means later minus earlier. A minus sign is not automatically worse: for timing spread or spacing variation, less variation means more consistent playing. For scores, higher means a higher score. Faster tempo is simply faster, not necessarily better. Timing bias is different: closer to zero means more centred timing.

Earlier Later

Daily summaries and recent takes

Completed takes are stored in this browser, not on SHED servers. Export a backup before clearing browser data. Backups may include input-device diagnostics; review them before sharing. No audio is recorded.

Live evaluation · Bar 1 of 4

Enable your UM2 input

Metronome

Note

Pluck

Pitch

Timing

Length

Release*

elapsed time within target close needs attentionTiming: E early · L lateLength: S short · L long— not measured? uncertain